'Test 18' (2018)

'Test 18' (2018)David Brits practice spans printmaking, drawing and video, but over the last three years he has, in his own words, devoted his time solely to formal investigations in public scale sculpture. These test pieces created by Brits are draft renderings of his public sculpture works in the form of collages and sketches. The drawings feature Brits' signature snake like forms, and offer a glimpse into the artist's process towards their final incarnation as

her forms require us to re-think our understanding of the human condition

and personal experience

but primarily from her residency in the attic of the historic Radcliffe Hunter mansion in Bronzeville

It experiments with the ‘museum shop’ as a site of production and exchange

Sean O’Toole (b

In addition to its many bold and colourful photographs

Black Koki

“now sound the trumpets and get ready to roll

or from ideological or nationalism fervour

We sought to shift the grounds of the debate from institutional concerns and legal aspects of restitution to more daring and wider-reaching questions

Photographed in the Stellenbosch landscape and printed in full colour on double-page spreads

These collected images are introduced with essays by artist and writer Paul Edmunds and art historian Emma Bedford